I recommend getting a bass guitar though, because the strings are fatter, harder to press than those of an acoustic guitar, and the frets are wider apart. You can learn on your own, but looking up tabs, listening to songs and individually listening to the bass lines and trying to figure it out.
But will you be learning the proper techniques, the proper fingering? You best hire yourself a tutor. If you want to learn slap bass, it's the ultimate way to go. And it's also a great way of improving your music skills.
If your strings ever break mysteriously at the bridge, check your saddles. If there are any string "bite" marks, snags or burrs on the saddles, it means that they are wearing down your strings and the constant vibration of the strings makes the burrs act like little saws on the windings of the string. Eventually the core gives in - and POW, there goes a string - and possibly an eyeball.
Make sure you learn all the most common scales. The scales you should learn are the major scale, minor scale, melodic minor, harmonic minor, pentatonic, blues, and minor blues. These are all really common and should prepare you for just about any situation. I have also a few tips for gigs:
Advanced players must have some command of scale, chord and arpeggio patterns, to be advanced, yet often they get real fast and efficient with enough patterns to impress others and get by, but they realize how extremely limited they still are, and how they are not really as advanced as they would like to be because of their insufficient scope and grasp of a complete mastery of the fretboard with the current patterns that they already know, as well as the theoretical aspect behind the patterns and their use.
The mathematics of this exercise work out so that you must play the scale through 3 times before the accent will again fall on the beginning note. That is one reason why this exercise is so beneficial. Be patient and practice this exercise until you can play it all the way through the three repetitions without mistakes.
Unfortunately, it turns out to be harder than it looks. Here's why: The muscles that move your hands and fingers across the neck and strings are rarely used for other tasks. The fine motor skills needed to play a stringed instrument require that the small muscles of the hands be strengthened. So when you take up the bass, you're like a baby learning to walk: Not only do you have no idea of what you're doing, you don't even have the muscles to do it.
Use your left thumb as a pivot, keeping your elbow out from your body so that it can swing back and forth freely. Curve the fingers of your left hand out over the neck to reach notes on the thicker strings; as your thumb pivots. Play the notes on the thinner strings with your fingers flattened more against the neck, your elbow pulled back, and your left thumb standing almost out straight from the neck
But will you be learning the proper techniques, the proper fingering? You best hire yourself a tutor. If you want to learn slap bass, it's the ultimate way to go. And it's also a great way of improving your music skills.
If your strings ever break mysteriously at the bridge, check your saddles. If there are any string "bite" marks, snags or burrs on the saddles, it means that they are wearing down your strings and the constant vibration of the strings makes the burrs act like little saws on the windings of the string. Eventually the core gives in - and POW, there goes a string - and possibly an eyeball.
Make sure you learn all the most common scales. The scales you should learn are the major scale, minor scale, melodic minor, harmonic minor, pentatonic, blues, and minor blues. These are all really common and should prepare you for just about any situation. I have also a few tips for gigs:
Advanced players must have some command of scale, chord and arpeggio patterns, to be advanced, yet often they get real fast and efficient with enough patterns to impress others and get by, but they realize how extremely limited they still are, and how they are not really as advanced as they would like to be because of their insufficient scope and grasp of a complete mastery of the fretboard with the current patterns that they already know, as well as the theoretical aspect behind the patterns and their use.
The mathematics of this exercise work out so that you must play the scale through 3 times before the accent will again fall on the beginning note. That is one reason why this exercise is so beneficial. Be patient and practice this exercise until you can play it all the way through the three repetitions without mistakes.
Unfortunately, it turns out to be harder than it looks. Here's why: The muscles that move your hands and fingers across the neck and strings are rarely used for other tasks. The fine motor skills needed to play a stringed instrument require that the small muscles of the hands be strengthened. So when you take up the bass, you're like a baby learning to walk: Not only do you have no idea of what you're doing, you don't even have the muscles to do it.
Use your left thumb as a pivot, keeping your elbow out from your body so that it can swing back and forth freely. Curve the fingers of your left hand out over the neck to reach notes on the thicker strings; as your thumb pivots. Play the notes on the thinner strings with your fingers flattened more against the neck, your elbow pulled back, and your left thumb standing almost out straight from the neck
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